BLACKOUT

We are going to tell you a true story.

there were these people who lived here, all over, and did things a particular way…as people do. then some other people came from a far place. they came because they couldn’t figure out how to be seen where they lived. these poor people, because they were never seen, they didn’t know how to see. they used this to justify and enforced dumb rules that continued not to see people and smoosh people. These folks were so blind that after the smooshing,  they traveled far and brought more people that they refused to see, so that they could create little towers to sit on top of and overlook people and places that they couldn’t see. they also told the world, that this is the most wonderful place for being seen. so if they are having trouble being seen, come here, help build some towers and be seen…just a little more then the folks they brought and the folks they smooshed, but not very much. the people who they couldn’t see started removing the bricks of the towers. when the towers started to shake the blind folks picked a representative from the folks they refused to see and tried to prove that they could see, by seeing that particular representative. this was done so they couldn’t be accused of having vision problems. it did create a bit of confusion, and some residual blindness amongst the unseen. this got the unseen folks to slow down the dismantling of the towers. this went on for many years, but the towers were still being slowly dismantled from many angles. in fact, this went on so long that the unseen started to outnumber the vision-impaired folks. then the super high towers fell. after they fell, the light was so bright that all folks had to learn to see again.

i see you.
you will see me.

This is from an installation created in 2016…we been saying.


STUDIO VISIT: THAT NEW NEW

THAT NEW NEW

This period of isolation has been wonderful for us in the studio. There are so many concepts, ideas, and collaborations that we have started and have been unable to finish due to commissioned work. This break from traditional gathering and socializing has allowed us to dive into these more and focus our efforts on that work.

That being said we do feel a lot of guilt around finding pleasure in this and our hearts go out to everybody who has been affected by this virus. The death toll is insane and very hard for us to wrap our heads around, as well as the economic and emotional effects that this has had on the world. We also have our emotions around the treatment of Black Folks, senseless murders and attacks on joy.  We do believe at any given moment multiple realities and perspectives are going on all the time. There is the reality and experience that we are having and there is the reality and experience that every other being is having as well. We acknowledge and hold space for all of those.

Let’s chat about our lastest processes, experience and manifestations. In this studio visit, we share our process, our thoughts, our themes of exploration as well as our collaborative projects. We are gearing up for a show called ‘The Church of expansion’. It will include a series of collages prints canvases banners and other mixed-media works. It also includes the collaboration print series with Erin Patrice O’Brien. We also chat about the origins of our character Matilda and an animation project that has Tanya Farmer teaching her (and you) yoga.

Enjoy our latest studio visit and share it with a friend.

There are a lot of things you shouldn’t really be sharing these days but this vid isn’t one of them 🙂


LOVE LESSONS: STUDIO VISIT

LOVE LESSONS

There are so many ways to love. Some are so complex and others are so simple. It’s always been amazing that you can tell the way a person or creature has been loved often by the way they carry themselves and express love. Unfortunately, when love is lacking sometimes folks interact with that person as if they do not deserve to be loved. When I was a child I use to get so annoyed with my mother priming me. She would carefully do my hair to ensure there were no fly-a-ways. She should make sure I never left looking wrinkled or full of holes or dirty and the most agitating was that right before she would drop me off at school she would lick her thumb and get my eyebrows right. While I would pull away and say stop licking me. As an adult, I realized that she was creating visual markers to tell the world that I was cared for, valued, and should be treated as such. It was her way of putting a lil love bubble around me before I went into a space without her. That’s one example of sharing and expressing love, and there are tons. This group of work explores a few of them.

Enjoy our latest studio visit.

All of these pieces are available hit us up if interested mz@mzicar.com


WIGGED OUT

WIGGED OUT

Let’s chat about hair. Particularly the hair that grows out of the top of most folks head. This crown and glory is often a hot topic in the Black community,  often representing politics status, and culture. Basically we don’t play when it comes to hair. This hair thing has a long history and has often been a battle and struggle for many women when it comes to acceptability politics, natural vs processed. We love that our hair represents something ‘unique’ for some audiences but at the same time in the past we have had trouble with the amount of time that this consumes with Black folks, ‘is this hair appropriate?’ thinking, hours spent in salons, decision making such as not swimming to ensure not ruining the hair. Time is a valuable asset, careful how it is spent, but grooming and self-love practice is never wasted time. Is it a practice of self-love to create or desire something that you don’t have, or is the costuming fun and games? It’s just a matter of finding balance. Basically we just have trouble with things that hold folks back and often wonder if hair falls into that. Years ago (and to this day) we occasionally take on the topic of hair, as both a celebration and a weight.

Enjoy our latest studio visit which explores Hair.

All of these pieces are available hit us up if interested mz@mzicar.com


TOLD YOU SO

TOLD YOU SO

Welcome to another week our archival studio visits. This week’s visit will be centered around the theme ‘I told you so’. One of the amazing aspects of having the opportunity to exercise creativity is that it puts the artist closer to the pulse and vibration of what’s going on and maybe sometimes even ahead of the game. All of these featured pieces represent that.  All of the work featured in this grouping were a bit forward-leaning for their time, but super relevant now. At the time we were imagining kinda dark futures.

We don’t really create in that vain these days. I guess you needed to be where you were at to get to where you are now. If that was super confusing, just know that you are here 🙂

All of these pieces are available hit us up if interested mz@mzicar.com


THOTS ON ARCHIVING

THOTS ON ARCHIVING

I’m not going to lie. We spend a lot of time running around like our heads are cut off. This quarantine time has been a good moment for us to collect our thoughts, align with purpose, get our inventory together and just take a breath.

Before world war COVID broke out we had a chance to get up with our friends and visit the Schomburg Center for Research in Black Culture for a talk on archiving. They were specifically discussing hip hop journalists archiving, under the overarching theme of archiving Black culture. As collage artists and magazine junkies, this was so up our alley. Funny enough we happened to be in the middle of our own archiving process. We were painstakingly going through all of Junkprint’s old work categorizing measuring, storing and pricing all work to make all pieces available for purchase. Because after all if it hasn’t been archived did it even exist? And if you are relying on social media networks to create your archives keep in mind, it’s rough to build your house on other people’s property.

This time of isolation allowed us not only time to work on new pieces, but It also allowed us space and time to carefully curate video studio visits. Each week we will be pulling between 3-5 pieces of artwork and explaining the context and process of creation and how they came to exist. This group of work will be a combination of Junkprints archives as well as new Mz. Icar work.

We will be releasing the videos on YouTube, IGTV, and here every Wednesday at 11:00 a.m. Enjoy the first one below


TYPE PLAY

TYPE PLAY

We spend a lot of time playing and working on studies. Many of our projects require experimentation as they are quite tactile. We love the digital world…but real life in where it’s at, touch something fuzzy, taste something sweet, hug a tree small some plants and gaze upon something shiny in real-life, that kind of thing. These are some recent manifestations of that play. They do not have a purpose, application or home per se but one of our members has been musing about a clothing line. it’ all TBD, but in the meantime here’s some manifestations of that play.


WE STILL LOVING: TYPE EDITION

WE LOVE: TYPE EDITION

We have been pretty enamored by the powerful work of Tré Seals over at Vocal Type Co. Often in design, the biases of the author are ever-present in the final outcome. This is a very blind sided design flaw that can result in (intentional and unintentional exclusion) underrepresentation. The industry of design and specifically typography is maaaad white manish. This is resulting in a momo perspective in letter organization and presentation. Vocal type is filling the Gap and giving is life This foundry has released retail typefaces and created custom type inspired by historical icons of color.

We love all of this and it resonates with some of the latest projects we have been working on. We just wrapped up some custom lettering for Machel Montano’s Machel Monday. Which happens to be today and also happens to be a celebration of his nuptials. yo! It is seriously a love fest over here. Our work is used in the flyers promotional video as well as the tickets. We loved having the opportunity to work on this. Ya’ll over at Hasely stadium, buss a wine for us.


WE LOVE

WE LOVE

The other day our homie Kendra from ‘I wanna hear pod’ put us on to Curbed’s, Nice Try Utopia podcast. Of course, we were all over it. World-building and reimagining the past and future is so our thing. The first episode is about Jamestown, the first permanent English settlement in America. The podcast goes on to debunk the romantic version of this story told in our history books as well as a contextual of the ‘why’s and how’s’. The one thing that really stood out to me was the part in which these colonizers just lose the fuck out of their humanity. They are starving they start slaughtering indigenous folks and eventually start burning down their own fort for firewood and digging up corpses and eating them. Right when they are about to leave, the company that commissioned the mission demands they stay, sends a whole bunch more Englishmen, kidnapped some folks from Angola, forced slavery and thus America. Honestly, you have to listen to this podcast, this is just a lil summary. They go in. Anyhoot, that stayed with me because origin stories have weight and in this case, if the folks who ‘settled’ America were so far gone to begin with, one could only imagine what 400 years later would look like. I mean these dudes were bat shit crazy. They needed to be getting hugs a warm meal and some trauma therapy so they could stop terrorizing the indigenous folks and get they minds rights. Nope, that didn’t happen, they just ate folks and started a nation instead.

Soooooo that got is thinking about the impact of simply loving up on each other. Like for real love, not ownership, or possessiveness. The type of love that sees oneself in another. That’s open to listening and understands how to support and be an advocate. I know, I know it sounds mad mushy, well it is, the point is to feel good. Full belly full heart etc. So we decided that we are gonna share with you things/situations we love. Cuz it’s February and those lil naked violent flying babies want us to spread love, it’s the Brooklyn way and we’re like Oprah, we love a lot and we have stellar taste. After all, our thots matter.

A couple of our members had the honor of creating an engagement video for J Mandela and Shea. We took a lil road trip, upstate, encountered some racism, loved up on some plants and highlighted the love between these two. We love the way it came out and are super duper happy about this wedding.

We love Millennium Skate rink in Camden NY, I almost don’t want to share my love of this place because I’m afraid y’all might blow it up and all its charms will be lost. So, this is what we love about it. It’s black-owned meaning that the music and vibe are centric to the black community…you won’t hear any pop music even on kids skate sessions. It’s black on black on black. It’s reasonably priced and we get our souls on the rink.

We got portraits taken. We are so fly. We love us. Here’s the back story on this masked bandit crew shot. Folks keep asking us about biopics and we tell ’em we are anonymous…and they are like ‘oh ok, can I get a bio pic?’ Le sigh, basically we really value IRL connections and feel that it is an honor and privilege to connect in the real world. As far as internet presence goes, we appreciate the interest, but we don’t know you bruh, just ‘like’ the work, vibe with us or keep it moving. Our likeness representation is not intended for content. We take our art real seriously and will not be tokenized of sexualized while doing it unless we initiate that.

Before Image After Image

We are full of love so we’ll continue to sprinkle some love posts throughout the thots.


YOU MAY SHOP NOW

We are constantly evaluating and exploring our relationship with commerce and capitalism and looking for alternative opportunities of exchange. some of this exploration has been why it’s been so long coming to getting an online store up.

I’ve been thinking a lot about what we as a society are looking for on the internet, and what we can’t we purchase or have a hard time obtaining and what we should be trying to obtain. That thot process leads me to the creation of these new cans. For me, the internet is another platform, another medium, and it’s a context in which to explore the relationship of people, their interactions and the way that we interact with the world.

We love solutions, we love the absurdity of old ads (and full disclosure can’t wait until our current ads become old these pharmaceutical commercials are out of control). we are very much so American (most apparent when we are out of the country but that’s a different post) and so inherently, we are obsessed with the notion of a very quick fix. We also love painting and have a ton of empty cans in the studio. It’s bad enough that were spraying all this aerosol into the world might as well make sure that we are upcycling.

Thus I present to you my latest collection intended for the internet.

This series wouldn’t be complete without having some type of real life experience and so we have made a quarter of each edition available on the streets. They will be done in the form of a scavenger hunt and/or We’ll be posting where these items are and they will be free and up for grabs.

Keep your eyes peeled and your ear to the streets.

If you aren’t all about running around these streets (which I can’t imagine why you wouldn’t be) you can also purchase editions on HERE


Privacy Preference Center